In the waiting room, brightly
adorned
in a leaf motif, symbolizing life,
perhaps,
the television breaks the otherwise
silent air,
some talk-show host droning on
about some ill
interrupted by the canned praise
of an unseen audience. Here
we wait for her elderly mother,
my mother-in-law wasting her time,
if you ask her, “no need for this”
despite her chronic complaints
on the perils of old age, of
getting older,
this slowing down, her inability to
do now
what she’s always done,
or a body that just stops, ceases
to function as it habitually has
for her,
as she expects it to, old habits
that never die, dying, dead.
So we wait for this newest battery
of tests to verify what she already
knows,
yet hopes she’s wrong, that old age
is taking its toll, exacting its
payment
for a life long lived. But she’s
pleasant
about it, tells her life story once
again,
her medical history, the
medications that keep
her going, submits to the litany of
questions
and probing hands touching her,
feeling
for abnormalities normal for
someone of 88,
searching maybe for something else,
something
new, something for which there is
relief,
but not a cure, another pill or
potion to add
to the diet of pills she already
takes,
four times a day, morning and noon
and night.
This is not what she wants,
confirmation
and assurances, or more pills; what
she wants
is a respite, some release of age’s
hold
that holds her back, holds her
down,
keeps her there, keeps her old;
for what she sees and knows and desires
is the young woman wielding an axe
and splitting again
her own wood, building up the camp
stove fire,
and her own, or long walks over the
hill to other side
and into town, the warmth and
sunshine on her face
anew. And her license back, too,
that freedom to leave,
to do for herself, no meddling
children guarding her life,
asking for this or that of those
who dole
out her meds, check up on her, like
a child,
helpless in some ways, the child
she has become,
like the old people in her life she
has fought becoming,
weak and infirmed, a burden to herself
and family.
So in the leaf motif waiting room,
symbolizing life,
we wait for her and a doctor’s
declaration,
a pronouncement on her health, her
age, her life,
we but a silent audience praising her,
her longevity, yet we are not able
to give her
what she truly wants, only another
pill, trying
to understand and worrying about
our own mortality,
growing older ourselves, like her,
perhaps, afraid.