At eight, each of us, in turn,
began taking piano lessons, weekly
visits
to Mrs. Gould, to sit at her grand
piano,
lacquered black, the bench raised
high
for our young bodies, nervous and
scared,
and fingers arched, we played our
scales
and lessons, grandly played, simple
songs
progressing, progressively harder,
mistake-ridden,
a melee of wronged notes,
stumbling, bumbling
under uncertain fingers reaching,
stretching,
so at eight, my turn, I gave up my
dancing shoes,
another requirement of childhood, for
the ivory keys
of Mrs. Gould’s piano, grand and
lacquered black,
weekly visits and daily practice
at the living room spinet, my
mother’s piano,
blonde and old, a cracked veneer,
and weakly tuned,
my fingers arched, obediently
playing my scales,
quarter notes up and down,
one-handed, two-handed,
faster and faster, trying to
coordinate
my stubby fingers on the piano
keys, touching them,
tentative, playing over and over a
melody less melodic,
arrhythmic, stopping and starting,
“again,”
her voice echoing in my head,
“again,”
bringing notes and tones together
to match the music
spread out before me, the beginners
book, daily working it,
working to master what my mother
wanted for us,
but in time, the tempos speeded up,
as I rushed through
each piece, each exercise, the mistakes
uncorrected,
left unfixed, just to get done, get
finished, finish
my two years of lessons, and give
it up,
my obligation fulfilled, all my
mother required,
that we had played, had tried, no
prodigy among us,
no dancers or concert pianists,
just kids
subject to the times, our parents’
dreams and wishes,
their desires for us, a refinement
readying us
for today, refined adults because
we had played,
had done what we had to do, what
was expected,
each of us, in turn, at eight.
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