The steady
click of sprocketed film
racing from
reel to reel in a maze of loops
and clips and
doors provided the soundtrack
for these
tiny pictures projected onto a screen
in rapid
succession, duplicating the motion
captured by
an old movie camera, an 8mm,
ancient
today, an artifact from a distant past.
The pictures,
once colored, have since bleached
to shades of
gray and white, washed out,
or
interrupted by a splash of yellow, orange,
bright white,
light leaked onto this aged film.
My parents
had bought the camera, sleek and new,
to capture
our childhood, then locked it away in a box
we found in
the attic long after they were gone,
and our
childhood even longer gone, so far back
as to be
forgotten, these faded images of strangers
cavorting on
a beach, running and splashing, parties
with candled cakes
and ice cream, kids, hand in hand,
exploring the
trails of an amusement park gone, too,
the animals
freed and the cages, rides, and ticket booths
dismantled,
gone to rust and rot, overgrown,
merely
memories to be recalled, memories
replayed on
faded movies, the soundtrack
but the
steady click of sprocketed film,
racing like
the years going forward, into the past,
a soundtrack
of the life we had shared and forgotten
in growing
up, becoming our parents and theirs,
reminded
again of what we had, what we’d lost,
and what
sustained us in the passing years,
recaptured
here racing reel to reel,
setting us
free now in the tears we shed,
watching and
wondering where it all had gone.
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