If one wants to meet a storybook
Princess
at the Magic Kingdom, a Princess
pulled
from the archives of Disney Princess
Movies,
he must, as literary types claim, “suspend
the
sense of disbelief”; though he knows
that young girl, petit and
beautiful, donned
in a baby blue gown, coiffed as we
all remember
her to be, though he knows she’s a
young woman
dreaming, perhaps, of acting,
singing, dancing,
the theater, the stage, the smell
of greasepaint,
the roar of the crowd; or perhaps
just a summer job
to pay the high cost of college
where she pursues
loftier goals, engineering,
medicine, the very real world
of high finance, using her beauty
as a ticket to something
else, something bigger, and why
not, so much of her life
has been controlled by men, their
sense of value and beauty,
and femininity, telling her she
can’t, setting limits, controlling
her image, her body, her life, why
not turn it against them
in this man’s world, getting what
she wants in the end, not
forced to perform or compromise,
and so he suspends what he knows
to be true - she is just a woman
playing a role. I know this, standing
in line to meet Cinderella, out of
place among the young girls
eager, too, to meet her, autograph
books at the ready, mine, as well,
and there she is, just as I’ve
always known her to be, blonde and petit,
she of the mice and the rats and a
fairy Godmother to make
it all real, believing again in Happily-Ever-After,
Kindness in a blue dress,
for this is all so real, this real
Cinderella that I first saw
on a giant screen so long ago, and
have seen many times over
through daughters and
granddaughters, like the one with me this day, fifteen
years older, since she was five, when
I first introduced her
to a very real Cinderella, the
Cinderella of a Disney’s Classic,
the Cinderella of the Little Golden
Books pulled from
my bookshelf and read night after
night, the heroine
of my granddaughters’ youth,
perhaps what got them through
childhood and into those teen
years, something to believe in;
but today is my day, no children,
no young children, grand
or otherwise, but an old man’s
fancy to meet a storybook princess,
and to believe again that the story
is true, right down to “and they
lived Happily-Ever-After”; that is
disbelief suspended and a new
reality for this aging life, a
reality of imagination made real,
good enough for me, good enough for
the fantasy into which
I find myself now placed, right
now, right here, in Disney’s
Magic Kingdom where an old man’s
dream can come true,
to meet Cinderella and be reminded
again of Kindness
in a blue dress, of Happily-ever-After, of what it means again to be young.
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